Suraj Pe Mangal Bhaari Movie Review
The film ‘Suraj Pe Mangal Bhaari‘ is the turning point of actor Manoj Bajpayee’s career. The same turning point as Amitabh Bachchan’s career was ‘We are not less than anyone’. Aishwarya Rai became the younger sister of Amitabh Bachchan in this film and both the heroes of the film, Sanjay Dutt and Ajay Devgan, are in love with the sister of the star of the century. The actor, whose sister has become a sister, cannot be a hero in the film, so it is found that the hero of the film ‘Suraj Pe Mangal Bhari’ is Diljit Dosanjh. He also has a mobile back office.
The story of Sooraj Pe Mangal Bhari, a moving film in Bombay some 25 years ago, has many. The feelings that persist in the minds of Marathi manoos about North Indians boils here, as well as the problem here is that this film of Hindustan just before the arrival of mobiles did not get the right tableau. The story revolves around a detective who removed the groom’s horoscope before weddings, and a young man who is constantly washing hands at weddings, for whom marrying has become like a national mission. The detective does not know what is blooming in his own house and who is pouring water into this pot.
The film ‘Suraj Pe Mangal Bhari’ was expected to be a slightly better comedy film in the environment in which the film was released. Manoj Bajpayee has tried his hand in comedy many times before this, but for the sake of humor, naivety is the first condition and Manoj Bajpayee has seen so much of the world that even if he wants a lot, he is no more than 60 percent in terms of laughing poor Increase. On the contrary, Diljit Dosanjh laughed even if he says nothing.
Manuj Sharma is the original item of this film. Taking all the jokes, Abhishek Sharma has coined a film which does not show his development as a director. Know why Fatima Sana Shaikh needs to do such a role. In the film, qualified actors Annu Kapoor, Seema Pahwa, Manoj Pahwa have also done their best to maintain the film.
The film’s art direction department has not been able to re-create the era on which the film tells the story of ‘Suraj Pe Mangal Bhari’. The costumes of the film are also not such that any different colors can be seen in the film. In the cinematography department near Anshuman Mahale, where he got an opportunity, he has tried to bring the characters alive through outdoor, but the matter starts to become dull as soon as it becomes indoor. Rameshwar Bhagat did not have much challenge in video editing, he has edited the film according to the script. The musical side of the film is also quite weak. The music of such comedy films breathes into the story like a character, but this planet of ‘Suraj Pe Mangal Bhari’ is also weak.